Finally, should you be in a live environment, switch back to the front panel keyboard mode for on-the-fly note, accent and slide overrides. You can play it like a traditional MIDI instrument, if you need to, and even drag and drop sequencer data to your DAW for use with other instruments. While most will be content to leave it at that, Acid V also includes an arpeggiator mode for using it as a lead-style synthesizer. Best of all, the sequencer responds to MIDI notes, transposing as you play. You can even uncouple the lane lengths with the Polymetric button and create unusual polyrhythms. The programming lane is easy to use, and extras like scales, playback direction, gate length, and Transmutation for random sequences are all welcome. It’s deep, powerful and – most happily – intuitive. On Acid V, Arturia has done away entirely with the hardware’s esoteric front panel programming – sorry purists and masochists – and shuttled everything to the dedicated sequencer panel. With its accents and slides, it’s capable of all kinds of unusual percolations. As with most other Arturia emulations, these significantly expand the power of the instrument, taking it from (let’s face it) what is essentially a one-trick pony into the realm of the unexpected.Īlong with its sound, the 303 is largely famous for its unusual sequencer. Click on the Advanced button to reveal the sequencer, modulation, and effects sections. Speaking of hidden panels, there’s plenty more to Acid V than meets the eye. Finally, there’s a hidden panel of pots for fine-tuning and modding the sound, all of which sound great. We especially liked adding slow, wonky pitch drifts to our acid lines but fast, buzzy effects are possible too. There’s also a comprehensive distortion section with vibrato, the latter of which works in tandem with the sequencer. With sine, square and ramp options at 0, -1 and -2 octaves, it’s perfect for bringing back the bass that high resonance settings will invariably steal. Most software emulations of the 303 have extras, for sure, but Arturia’s are especially welcome. Image: Arturiaįrom here on out, Arturia – as the company is wont to do – has gone to town adding new parameters to flesh out the original concept and make it more useful for modern productions. This works differently in practice than the original hardware, but we’ll address that when we come to the sequencer. Basic controls, including the waveform selector (sawtooth or square) for the single oscillator, then cutoff, resonance, filter envelope mod amount, decay and accent run in a line across the top, while the bottom is occupied by the LED-festooned keyboard. When you first open Acid V, you’re greeted with a user interface that should be instantly familiar to any acid head. The 303’s combination of simple yet powerful synthesis architecture and unique on-board sequencer has resulted in countless psychedelic dance records, with every subsequent generation rediscovering its power and charm.Īrturia has captured that power and charm extremely well. Originally released in 1982, the simple rhythm accompaniment device took off in the secondhand market thanks to Chicago acid house and later genres like acid techno. READ MORE: IK Multimedia’s UNO Synth Pro X is what the synth community deserved from the startįew synthesizers command the cult-like power of the TB-303.Arturia calls it a “corrosive bassline machine” and while its version has a very acidic pH value indeed, it also goes above and beyond gurgly expectations to deliver a contender for best software acid emulation. Into this crowded room confidently strides Arturia with Acid V, the French company’s take on the little silver box. Other features include vibrato that lets you get into FM territory, 14 distortion algorithms, an easy-to-use step sequencer, and the ability to drag and drop your sequences into your DAW.The world of Roland TB-303 emulations is crowded, with plenty of both hardware and software recreations to satisfy your sonic lysergic cravings. Advanced Modulation system for evolving sounds.They say that they’ve combined component-level modeling to accurately capture the originals sound, and married that to upgraded features & effects, to deliver ‘a mutated classic’. Why another virtual 303, especially when Behringer offers a hardware 303 knockoff for around $130? Acid V offers an ‘evolved sequencer’ that’s designed to be easy to use and to integrate intelligently with your DAW.Īrturia says that Acid V is designed to bring the classic acid sound into the modern production era. Arturia today introduced Acid V, a virtual instrument that offers their take on the classic Roland TB-303 sound.
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